Prabhudeva directorial Ramaiya Vastavaiya opened to a good occupancy
in most key circuits on its opening day at
the Box Office. Aimed mainly at the
single screens, the film's initial pick up
has been good given the track record of
Prabhudeva's popularity from his last
stints.
The film is up for competing with the
highly charged action film D-Daywhich will grab a good share of the multiplex
audiences given its sensibilities.
Both the films this week will face hard
competition from last week's Bhaag Milkha Bhaag that is doing great
business too. Given the good occupancy, it will all
depend on the word of mouth to help
Ramaiya Vastavaiya grow or fall
accordingly.
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Friday, July 19, 2013
D-Day Has An Average Opening Day Occupancy At The Box Office
Nikhil Advani has finally emerged out of
his frivolous ways and made a film that is
truly impressive. However, the initial
buzz for his film D-Dayisn't that overwhelming. The film on its opening
day saw an occupancy of 25%-30%. The film will try and gain well at the
multiplexes however, it isn't the kind of
action film that will do well with single
screen audiences.
This week too one can expect Farhan
Akhtar's Bhaag Milkha Bhaag to prevail but D-Day's promising premise might
improve the film's collections as the good
reviews come along more strongly.
However, growth wise one can still
expect Bhaag Milkha Bhaag to be
stronger!
his frivolous ways and made a film that is
truly impressive. However, the initial
buzz for his film D-Dayisn't that overwhelming. The film on its opening
day saw an occupancy of 25%-30%. The film will try and gain well at the
multiplexes however, it isn't the kind of
action film that will do well with single
screen audiences.
This week too one can expect Farhan
Akhtar's Bhaag Milkha Bhaag to prevail but D-Day's promising premise might
improve the film's collections as the good
reviews come along more strongly.
However, growth wise one can still
expect Bhaag Milkha Bhaag to be
stronger!
Salman’s Hit And Run Case Deferred Till July 24th
The case relating to Salman Khan's
involvement in the 2002 hit and run case
has seen a deferring of its hearing date
till July 24th. Salman's lawyers also
requested the court to check the media
involvement as it might affect the case gravely.
Last month the court decided that
Salman, who was earlier charged with
Death by Negligence, will now be
charged with Culpable Homicide Not
Amounting To Murder. Now the actor's
situation is way more grievous as he might face imprisonment for ten years if
the charges against him are proven.
The accident that happened in the wee
hours of morning of September 28, 2002,
killed one and injured four, when his
Land Cruiser rammed on to a pavement
outside a bakery in Bandra.
involvement in the 2002 hit and run case
has seen a deferring of its hearing date
till July 24th. Salman's lawyers also
requested the court to check the media
involvement as it might affect the case gravely.
Last month the court decided that
Salman, who was earlier charged with
Death by Negligence, will now be
charged with Culpable Homicide Not
Amounting To Murder. Now the actor's
situation is way more grievous as he might face imprisonment for ten years if
the charges against him are proven.
The accident that happened in the wee
hours of morning of September 28, 2002,
killed one and injured four, when his
Land Cruiser rammed on to a pavement
outside a bakery in Bandra.
Vivaan Shah To Share Screen Space With SRK In ‘Happy New Year’
Vivaan Shah, son of talented actors
Naseerudin Shah and Ratna Pathak Shah,
who was last seen in Priyanka Chopra
starer Saath Khoon Maaf will now share screen space with Bollywood superstar
Shah Rukh Khan.
Known for his impulsive acting and fresh
fervor, he is expected to start shooting
with Abhishek Bachchan, Boman Irani
and of course SRK soon. The film will go
on floors on 1st September soon after
SRK wraps up all his work on Chennai Express.
Naseerudin Shah and Ratna Pathak Shah,
who was last seen in Priyanka Chopra
starer Saath Khoon Maaf will now share screen space with Bollywood superstar
Shah Rukh Khan.
Known for his impulsive acting and fresh
fervor, he is expected to start shooting
with Abhishek Bachchan, Boman Irani
and of course SRK soon. The film will go
on floors on 1st September soon after
SRK wraps up all his work on Chennai Express.
Movie Review: D-Day
Rating: 4/5 stars (Four Stars)
Star cast: Irrfan Khan, Rishi Kapoor, Arjun Rampal, Huma Qureshi, Shruti
Haasan
Director: Nikhil Advani
What's Good:
Without an ounce of jingoism, the film's plain, non-
judgmental storytelling with a thought
provoking narrative is ace. Rishi Kapoor
and Irrfan Khan put up a marvelous
show!
What's Bad:
The editing in the film's latter half could have been tauter.
Loo break: None at all.
Watch or Not?:
Nikhil Advani's D-Day traces a labyrinthine story of India's
unsung war heroes. With its chilling
action scenes and thrilling emotional
quotient, D-Day is perhaps one of recent
times' most rivetingly told stories. With
Bollywood celebrating Dawood Ibrahim mostly, here's a filmmaker who has
made a daunting movie which
effortlessly gives the character its correct
hue.
User Rating:
The nabbing operation of India's most
wanted man that is carried out by four
undercover agents, all of them come with
their own personal baggage! Nabi Ali
(Irrfan), stationed in Pakistan for years
has already set up for himself emotional attachments. Rudra Pratap
Singh (Arjun),
a former Armed Force' officer is exactly
the opposite and prefers being detached.
Zoya (Huma) dumps her familial
happiness and chooses her patriotism
over it. And Aslam, who serves as the spy in the Don's 'kafila' joins
hands in an
impossible mission. On the eve of of his
son's wedding, the mission that will
result in the downfall of this notorious
don is to be executed. How brilliantly the
climax is tied up with its shockers and teary jerks are what make D-Day so
unparalleled.
D Day Review: Script Analysis
The script of this gritty thriller is based
on the lines of Zero Dark Thirty, naturally
sketching it on an Indianized canvas; the
film is 2 hours plus of sheer edge-of-
your-seat thrill. For most part, the story
sticks to being purely artistic even as its revels in nail biting
action. Emotionally
wrenching and ripping, the story of D-Day
follows the lives of 4 war heroes who are
on a mission ala 'The Charge of The Light
Brigade'.
Advani absorbs us easily into his story as
he uses the tool of terrifying realism and
paints the terrifying picture of atrocities
that we have incurred in the name of
terrorism. To begin with, it is the
extraordinary script that entraps you in the nuances of its dramatic folds. An
undercover agent, who must give up the
warmth of his wife and the love of his
son, is caught in between his duty call
and his family! It is a tribute to the story
writers that the audiences don't find a single sag in the film's tapestry. The
film's climax is 15 minutes of spectacular
adrenaline rush as all the pieces of the
film finally blends into one. There are its
share of clichés in each character as you
almost know what they are like, but the wonderful choice of actors render to
their roles both beauty and believability.
The film exudes immense confidence in
its mannerism of telling the story that
makes its fabric so brilliantly
suspenseful.
D Day Review: Star Performances
This high octave action flick depends
heavily on the prowess of its actors to
valiantly carry forward the story and each
of the vital work of these actors turn out
to be nothing short of stellar.
Rishi Kapoor as Goldman, the man
fashioned on the iconic underworld
character Dawood Ibrahim arrives with
the enigma that his name is meant to
convey. Getting every note right, he gives
an impactful performance. The man is colossal in his notoriety!
Irrfan as Wali Khan is impeccably
wonderful both in his tender moments
and the high drama ones. How in a
matter of one simple film this man has in
his role such diverse hues is
unimaginable. The accomplished actor he is, his tendency of constantly
pushing the
envelope further is what makes each of
his work so distinct and yet doesn't blur
in terms of marvel. He makes Wali both
delicate and fiery with stunning ease.
Arjun Rampal has evolved for the better
as an actor. His infallible personality and
his portrayal that has hints of both
anguish and strength is what makes him
stand out despite the presence of more
powerful actors. He acted like a dream and that is commendable, to say the
least.
Huma Qureshi tackles her part with gusto
and as compared to her role in the recent
Ek Thi Daayan, she is light years ahead. A
female soldier whose sacrifices are way
beyond merely putting her life on stake,
Qureshi's strength is in her simplistic acting.
Sriswara as Irrfan's wife is an excellent
actress who known the right mode to
enliven her role. Her chemistry with
Irrfan is so adorable-ish, that your heart
goes out to her helplessness!
Shruti Haasan as an actress is obviously
great, but her character is quite
misplaced. Nevertheless she carries out
her role to perfection especially the
power with which she manages to choke
you up in the song 'Alvida'.
D Day Review: Direction, Music &
Technical Aspects
Nikhil Advani's tangible movie is
innovative in its vision and involving in its
demeanor. The direction is so deeply
fascinating, that one remains obviously
latched to the movie. He carefully
refrains from making any bit of it melodramatic which is perhaps the most
effective part of the movie. Perhaps the
only hiccup for me was the song 'Alvida'
which in my opinion attempted to
romanticize tragedy and pain very
wrongly. It's a quite a shock that this man went wrong enough to make squibs
like Chandni Chowk To China and Salaam-
E-Ishq.
Tom Struthers and John Street's (of
Inception and Dark Knight fame)
stunning stunts right from Hollywood
frames terrorizes with the right punch.
Tushar Ray's cinematography is picture
perfect as he gives the right amount of
anxiety to the story. The film's mayhem
doesn't get anarchic and furnishes itself
convincingly. Shankar-Ehsaan-Loy's
soundtrack croons with a haunting feel and syncs wonderfully in the
film's story.
D Day Review: The Last Word
Nikhil Advani's D-Day is by far one of the
India's most applausive high octave
action films, which has a charming
rendition in terms of an emotional plot.
Appealing performances and the
menacing story makes for decadent palette. I am going with a 4/5 for this
well textured, fabulous film that will
leave you speechless and overwhelmed
without becoming imposingly patriotic.
Star cast: Irrfan Khan, Rishi Kapoor, Arjun Rampal, Huma Qureshi, Shruti
Haasan
Director: Nikhil Advani
What's Good:
Without an ounce of jingoism, the film's plain, non-
judgmental storytelling with a thought
provoking narrative is ace. Rishi Kapoor
and Irrfan Khan put up a marvelous
show!
What's Bad:
The editing in the film's latter half could have been tauter.
Loo break: None at all.
Watch or Not?:
Nikhil Advani's D-Day traces a labyrinthine story of India's
unsung war heroes. With its chilling
action scenes and thrilling emotional
quotient, D-Day is perhaps one of recent
times' most rivetingly told stories. With
Bollywood celebrating Dawood Ibrahim mostly, here's a filmmaker who has
made a daunting movie which
effortlessly gives the character its correct
hue.
User Rating:
The nabbing operation of India's most
wanted man that is carried out by four
undercover agents, all of them come with
their own personal baggage! Nabi Ali
(Irrfan), stationed in Pakistan for years
has already set up for himself emotional attachments. Rudra Pratap
Singh (Arjun),
a former Armed Force' officer is exactly
the opposite and prefers being detached.
Zoya (Huma) dumps her familial
happiness and chooses her patriotism
over it. And Aslam, who serves as the spy in the Don's 'kafila' joins
hands in an
impossible mission. On the eve of of his
son's wedding, the mission that will
result in the downfall of this notorious
don is to be executed. How brilliantly the
climax is tied up with its shockers and teary jerks are what make D-Day so
unparalleled.
D Day Review: Script Analysis
The script of this gritty thriller is based
on the lines of Zero Dark Thirty, naturally
sketching it on an Indianized canvas; the
film is 2 hours plus of sheer edge-of-
your-seat thrill. For most part, the story
sticks to being purely artistic even as its revels in nail biting
action. Emotionally
wrenching and ripping, the story of D-Day
follows the lives of 4 war heroes who are
on a mission ala 'The Charge of The Light
Brigade'.
Advani absorbs us easily into his story as
he uses the tool of terrifying realism and
paints the terrifying picture of atrocities
that we have incurred in the name of
terrorism. To begin with, it is the
extraordinary script that entraps you in the nuances of its dramatic folds. An
undercover agent, who must give up the
warmth of his wife and the love of his
son, is caught in between his duty call
and his family! It is a tribute to the story
writers that the audiences don't find a single sag in the film's tapestry. The
film's climax is 15 minutes of spectacular
adrenaline rush as all the pieces of the
film finally blends into one. There are its
share of clichés in each character as you
almost know what they are like, but the wonderful choice of actors render to
their roles both beauty and believability.
The film exudes immense confidence in
its mannerism of telling the story that
makes its fabric so brilliantly
suspenseful.
D Day Review: Star Performances
This high octave action flick depends
heavily on the prowess of its actors to
valiantly carry forward the story and each
of the vital work of these actors turn out
to be nothing short of stellar.
Rishi Kapoor as Goldman, the man
fashioned on the iconic underworld
character Dawood Ibrahim arrives with
the enigma that his name is meant to
convey. Getting every note right, he gives
an impactful performance. The man is colossal in his notoriety!
Irrfan as Wali Khan is impeccably
wonderful both in his tender moments
and the high drama ones. How in a
matter of one simple film this man has in
his role such diverse hues is
unimaginable. The accomplished actor he is, his tendency of constantly
pushing the
envelope further is what makes each of
his work so distinct and yet doesn't blur
in terms of marvel. He makes Wali both
delicate and fiery with stunning ease.
Arjun Rampal has evolved for the better
as an actor. His infallible personality and
his portrayal that has hints of both
anguish and strength is what makes him
stand out despite the presence of more
powerful actors. He acted like a dream and that is commendable, to say the
least.
Huma Qureshi tackles her part with gusto
and as compared to her role in the recent
Ek Thi Daayan, she is light years ahead. A
female soldier whose sacrifices are way
beyond merely putting her life on stake,
Qureshi's strength is in her simplistic acting.
Sriswara as Irrfan's wife is an excellent
actress who known the right mode to
enliven her role. Her chemistry with
Irrfan is so adorable-ish, that your heart
goes out to her helplessness!
Shruti Haasan as an actress is obviously
great, but her character is quite
misplaced. Nevertheless she carries out
her role to perfection especially the
power with which she manages to choke
you up in the song 'Alvida'.
D Day Review: Direction, Music &
Technical Aspects
Nikhil Advani's tangible movie is
innovative in its vision and involving in its
demeanor. The direction is so deeply
fascinating, that one remains obviously
latched to the movie. He carefully
refrains from making any bit of it melodramatic which is perhaps the most
effective part of the movie. Perhaps the
only hiccup for me was the song 'Alvida'
which in my opinion attempted to
romanticize tragedy and pain very
wrongly. It's a quite a shock that this man went wrong enough to make squibs
like Chandni Chowk To China and Salaam-
E-Ishq.
Tom Struthers and John Street's (of
Inception and Dark Knight fame)
stunning stunts right from Hollywood
frames terrorizes with the right punch.
Tushar Ray's cinematography is picture
perfect as he gives the right amount of
anxiety to the story. The film's mayhem
doesn't get anarchic and furnishes itself
convincingly. Shankar-Ehsaan-Loy's
soundtrack croons with a haunting feel and syncs wonderfully in the
film's story.
D Day Review: The Last Word
Nikhil Advani's D-Day is by far one of the
India's most applausive high octave
action films, which has a charming
rendition in terms of an emotional plot.
Appealing performances and the
menacing story makes for decadent palette. I am going with a 4/5 for this
well textured, fabulous film that will
leave you speechless and overwhelmed
without becoming imposingly patriotic.
Movie Review: Ramaiya Vastavaiya
Rating: 2.5/5 stars (Two And Half Stars)
Star cast: Girish Kumar, Shruti Haasan, Randhir Kapoor, Sonu Sood, Vinod
Khanna, Poonam Dhillon, Satish Shah,
Govind Namdeo, Zakir Hussain, Nassar,
Anchal Singh, Pankhuri Awasthi
Director: Prabhu Deva
What's Good:
Designed to be an obsessive crowd pleaser this film doesn't
leave any stone unturned to be obviously
funny!
What's Bad:
The film tries too hard to be funny, loud and ridiculous, not to mention
cliched!
Loo break: Innumerable
Watch or Not?:
Ramaiya Vastavaiya is for people who have a taste in juvenile
comedy. This Prabhudeva directorial
works unabashedly on regular formula of
a hero, a heroine and her staunch elder
brother. Expect an average entertainer,
this one is a stylishly silly, regular masala rom-com that expects you
to leave your
brains at home!
User Rating:
An Australian born NRI Ram flows down
to India to attend his cousin's wedding
and falls in love with her friend Sona.
Despite other women eyeing him, her
naïve charm makes our hero go gaga on
her.
But one insulting scene between his
mother and girl's brother shatters his
perfect picture. Now he must impress a
conservative and robust brother, who is
fiercely protective of his only sister. The
film attempts to celebrates the triumph of a love story that must mend a few
impossible fractures to win.
Ramaiya Vastavaiya Review: Script
Analysis
I would have shamelessly said 'What
Story?' but that would be unacceptable
and so I will care to elaborate on this.
This movie is a cross between Salman-
Kajol starrer Pyaar Kiya Toh Darna Kya
and the classic Hum Aapke Hai Kaun. What lacks here is the innocence and
elan of those films! The one-liners and
gags are simply stupid and leave no
impact. The term subtle has no relevance
in such films and hence its best you don't
expect it. The gags don't seem to exhaust themselves as they begin to
stench more
through its runtime, making it even more
tedious to bear with. The heavy
borrowing from Pyaar Kiya Toh Darna
Kiya just proves that there is such a
dearth of innovation in dishing out old ideas!
Prabhudeva manages to make the story
sleek in extraordinary ways but his
efforts are half baked as every frame of
the films will remind you either of the
afore mentioned films. This film is
invariably stale with no earnestness that is what fails it.
Ramaiya Vastavaiya Review: Star
Performances
Girish Kumar has innocent eyes and
that's all I managed to notice about him.
It was bearable sitting through his chimp
like acting because he is endearing!
Shruti Haasan is the striking shadow of
her mother, in beauty. However, her
acting has way to go before it evolves to
that! She has a pleasant screen presence
to aide her shaky performance which
works in her favor.
Sonu Sood is robust and scorching! Yes, it
indeed doesn't match up to the charisma
he lent to Chedhi Singh in Dabangg but
he is undoubtedly good!
Randhir Kapoor is wonderful as Girish's
father and Vinod Khanna is just as
appealing. And both Poonam Dhillon and
Satish Shah deserved better roles!
Ramaiya Vastavaiya Review: Direction,
Screenplay and Music
Prabhudeva's signature flamboyance is
what the film reeks of. His first tryst with
making a romantic comedy is as good or
bad as the rest of his repertoire.
However, the film lacks the enigma of his
previous films, for the obvious lack of actors that colossal. The screenplay is
colorful and doesn't go insipid but the
grotesque sense of humor it imbibes
could have been avoided. The music is
strictly fine and Jaadu Ki Jhappi is what
prevails for Prabhudeva's maverick like dance.
Ramaiya Vastavaiya Review: The Last
Word
Ramaiya Vastavaiya is strictly a mediocre
entertainer that despite its loud and
garish ways manages to hold well. Its
childish and regular formulaic affair
works if have the appetite for standard
entertainer. I am going with 2.5/5. If you lock up your logic, this
one will do for
you!
Share with us your experience of
watching Ramaiya Vastavaiya.
Rahul Raut
Star cast: Girish Kumar, Shruti Haasan, Randhir Kapoor, Sonu Sood, Vinod
Khanna, Poonam Dhillon, Satish Shah,
Govind Namdeo, Zakir Hussain, Nassar,
Anchal Singh, Pankhuri Awasthi
Director: Prabhu Deva
What's Good:
Designed to be an obsessive crowd pleaser this film doesn't
leave any stone unturned to be obviously
funny!
What's Bad:
The film tries too hard to be funny, loud and ridiculous, not to mention
cliched!
Loo break: Innumerable
Watch or Not?:
Ramaiya Vastavaiya is for people who have a taste in juvenile
comedy. This Prabhudeva directorial
works unabashedly on regular formula of
a hero, a heroine and her staunch elder
brother. Expect an average entertainer,
this one is a stylishly silly, regular masala rom-com that expects you
to leave your
brains at home!
User Rating:
An Australian born NRI Ram flows down
to India to attend his cousin's wedding
and falls in love with her friend Sona.
Despite other women eyeing him, her
naïve charm makes our hero go gaga on
her.
But one insulting scene between his
mother and girl's brother shatters his
perfect picture. Now he must impress a
conservative and robust brother, who is
fiercely protective of his only sister. The
film attempts to celebrates the triumph of a love story that must mend a few
impossible fractures to win.
Ramaiya Vastavaiya Review: Script
Analysis
I would have shamelessly said 'What
Story?' but that would be unacceptable
and so I will care to elaborate on this.
This movie is a cross between Salman-
Kajol starrer Pyaar Kiya Toh Darna Kya
and the classic Hum Aapke Hai Kaun. What lacks here is the innocence and
elan of those films! The one-liners and
gags are simply stupid and leave no
impact. The term subtle has no relevance
in such films and hence its best you don't
expect it. The gags don't seem to exhaust themselves as they begin to
stench more
through its runtime, making it even more
tedious to bear with. The heavy
borrowing from Pyaar Kiya Toh Darna
Kiya just proves that there is such a
dearth of innovation in dishing out old ideas!
Prabhudeva manages to make the story
sleek in extraordinary ways but his
efforts are half baked as every frame of
the films will remind you either of the
afore mentioned films. This film is
invariably stale with no earnestness that is what fails it.
Ramaiya Vastavaiya Review: Star
Performances
Girish Kumar has innocent eyes and
that's all I managed to notice about him.
It was bearable sitting through his chimp
like acting because he is endearing!
Shruti Haasan is the striking shadow of
her mother, in beauty. However, her
acting has way to go before it evolves to
that! She has a pleasant screen presence
to aide her shaky performance which
works in her favor.
Sonu Sood is robust and scorching! Yes, it
indeed doesn't match up to the charisma
he lent to Chedhi Singh in Dabangg but
he is undoubtedly good!
Randhir Kapoor is wonderful as Girish's
father and Vinod Khanna is just as
appealing. And both Poonam Dhillon and
Satish Shah deserved better roles!
Ramaiya Vastavaiya Review: Direction,
Screenplay and Music
Prabhudeva's signature flamboyance is
what the film reeks of. His first tryst with
making a romantic comedy is as good or
bad as the rest of his repertoire.
However, the film lacks the enigma of his
previous films, for the obvious lack of actors that colossal. The screenplay is
colorful and doesn't go insipid but the
grotesque sense of humor it imbibes
could have been avoided. The music is
strictly fine and Jaadu Ki Jhappi is what
prevails for Prabhudeva's maverick like dance.
Ramaiya Vastavaiya Review: The Last
Word
Ramaiya Vastavaiya is strictly a mediocre
entertainer that despite its loud and
garish ways manages to hold well. Its
childish and regular formulaic affair
works if have the appetite for standard
entertainer. I am going with 2.5/5. If you lock up your logic, this
one will do for
you!
Share with us your experience of
watching Ramaiya Vastavaiya.
Rahul Raut
Sonam Kapoor to act in Rakeysh Omprakash Mehra's mythological thriller?
Actress Sonam Kapoor is going to work with Rakeysh Omprakash Mehra
again in a film that is likely to be a
mythological thriller.
Sonam earlier worked with Mehra in Delhi 6 and Bhaag Milkha Bhaag.
It was rumoured that Sonam might do
Mehra's Mirza Sahiban, but it is not so. Mehra is working on another
film Raja Aur Krishna Ki Bansuri and Sonam might be a part of this
project.
"I am going to work with him in another
film but that's not the film (Mirza Sahiban) I am working on," Sonam said.
Reportedly, the film set in the 1920s is a
mythical thriller centred on a hunt for
Krishna's flute. It will be made
simultaneously in English and Hindi. The
Hindi version will be called Raja Aur Krishna Ki Bansuri.
Even Mehra recently denied making Mirza Sahiban with Sonam.
again in a film that is likely to be a
mythological thriller.
Sonam earlier worked with Mehra in Delhi 6 and Bhaag Milkha Bhaag.
It was rumoured that Sonam might do
Mehra's Mirza Sahiban, but it is not so. Mehra is working on another
film Raja Aur Krishna Ki Bansuri and Sonam might be a part of this
project.
"I am going to work with him in another
film but that's not the film (Mirza Sahiban) I am working on," Sonam said.
Reportedly, the film set in the 1920s is a
mythical thriller centred on a hunt for
Krishna's flute. It will be made
simultaneously in English and Hindi. The
Hindi version will be called Raja Aur Krishna Ki Bansuri.
Even Mehra recently denied making Mirza Sahiban with Sonam.